Current Exhibition
LUCKY
Saturday, 07 July 2018 — Sunday, 02 September 2018
nGbK, Oranienstraße 25, 10999 Berlin
Curated by Coven Berlin.
WHO WORE IT BEST hashtagluckybitches
Installation metal, textile & 7’ Video, 'LUCKY' NGBK Gallery, Berlin, 2018
P_A_C wore matching outfits for 91 days as part of a research into how one’s mirror image influences one’s performance of self. In the work Who Wore It Best Hashtagluckybitches, P_A_C acknowledges their personal position as white, female and privileged consumers and via fragmented woven narratives they address the rich relationships of the materiality.
P_A_C presents...
Exhibition
GENDER THINGS
Monday 7 May 2018
Tent Gallery, Evolution House, 78 West Port, EH1 2LE Edinburg
Plural Authorship Collective Presents: Identity Bullshit. Showing as part of a group exhibition Screening 17.30 - 19.30.
DON'T MENTION THE DOLPHINS
March 06 September 2018
🍍Here’s to celebrating the ups and downs of female friendship and collaboration 💪💥! We failed once (more like 10 times) but did not give up in supporting and encouraging each other 💞, now we Plural Authorship Collective, are happy to announce that we received confirmation of the Vlaams Audiovisueel Fonds VAF funding for our film Don't Mention The Dolphins produced by Animal.Tank🐬!
#femaledirectors #womeninfilm #collaboration #dreamteam#sometimesihateyouteam #friendship #roadtrip #womenpower#twinsies #privacyisdeath #snowflakegeneration #millennials#livingthedream #30isnotsobad #bettertogether #artistswhomakefilm #pluralauthorshipcollective
GET IN TOUCH
Current Exhibition
LUCKY
Saturday, 07 July 2018 — Sunday, 02 September 2018
nGbK, Oranienstraße 25, 10999 Berlin
Curated by Coven Berlin.
WHO WORE IT BEST hashtagluckybitches
Installation metal, textile & 7’ Video, 'LUCKY' NGBK Gallery, Berlin, 2018
P_A_C wore matching outfits for 91 days as part of a research into how one’s mirror image influences one’s performance of self. In the work Who Wore It Best Hashtagluckybitches, P_A_C acknowledges their personal position as white, female and privileged consumers and via fragmented woven narratives they address the rich relationships of the materiality.